![]() ![]() Galanaki, “Conon’s sons and Meidias Ethopoiia and Hypokrisis in Against Conon and Against Meidias”, New Classicists 1 (2019) 21-40. Siron, Témoigner et convaincre: le dispositif de vérité dans les discours judiciaires de l'Athènes classique (PhD Thesis, Panthéon-Sorbonne University – Paris 1, 2017) 219. The Ancient Art of Persuasion across Genres and Topics (Leiden and Boston 2019) 319-335. Neger, “Pliny’s Letters and the Art of Persuasion”, in S. The Ancient Art of Persuasion across Genres and Topics (Leiden and Boston 2019) 249-269. Liao, “Demosthenes 18 as both symbouleutic and dicanic speech: an interpersonal analysis”, in S. ![]() Koopman, Over ekphrasis en het schild van Achilles Ilias18.478-608, Lampas 49 (2016) 195-208. Winkler, Classical Literature on Screen: Affinities of Imagination (Cambridge 2017, p. Serafim, Attic Oratory and Performance (Routledge 2017). The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric (Brill 2017, p. Kapparis, “Narrative and Performance in the Speeches of Apollodoros”, in S. The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric (Brill 2017, pp. Westwood, “The Orator and the Ghosts: Performing the Past in Fourth-Century Athens”, in S. More information: this article redefines the notion of ekphrasis as any account credited with the ability to bring images before one’s eyes, and shows that ekphrasis, when skillfully deployed as in Demosthenes 18 and 19, is a powerful weapon in the speaker’s arsenal. ![]()
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